Monday, October 26, 2009

諾基 Fillmore 2000

等了兩年諾基私人吉他

這把琴是諾基在2000年左右和日本的Fillmore吉他公司合作設計的吉他, 諾基在1993年Semie走後曾經和Semie的哥哥Andy, Semie的遺孀Loretta合作開過Mosrite工廠, 但經營不善, 很短時間就關門.

1996年Fender和Nokie推出Nokie Edwards的Telecaster紀念琴, 這把
諾基 Fillmore琴有Mosrite和N.E紀念琴的影子, 琴頭琴身是用Mosrite的招牌形狀, 上端拾音器也和Mosrite一樣的斜放, 但是拾音器改用新的Stinger拾音器, 有點N.E Telecaster的味道, 而且加多了二個Switches, 大搖是按Mosrite最早的Viramute開模的. 琴頭上打"35週年", 後面琴頸尾端打"Mosrite手工製作日本製造".

這把是"N000號", 諾基的私人琴, 琴頭第12格有個馬蹄鐵, Nokie告訴我個故事, 最開始的樣板琴Prototype 兩把做錯成馬蹄鐵的開口朝下(看廣告), 在美國人的門口掛馬蹄鐵, 迷信朝上是好運, 沒有人掛朝下的. 日本人不了解此禁忌搞錯了. 我這把可能是第3把, 改正過來了, 而且琴頭也改成和身體同色.

這把琴剛剛推出就出了支節. Fillmore偷偷地把"Ventures"名子打上琴, 被投機者發現, 馬上制止, Nokie很難堪, 因此和Fillmore解約停止生產. 此方案就因此流產. 聽說Fillmore還偷偷的在日本去登記Nokie的名子版權, 還照賣了一段. 現在Nokie在日本生產吉他連自己名子都不能打, 後來的吉他改稱"HitchHiker".

這把琴對後來Nokie的HitchHiker也有一些類似. 拾音器不用Single Coil 但同樣很熱, Switch加的更多.

這把琴我在2007年就向Nokie買了, 結果他老兄把大搖座拆下來放在另外一個盒子裡, 他搬家把吉他放在外面儲藏倉庫找不到, 一直拖著沒有寄給我.

上個星期天, 他突然打電話給我很高興的說﹕" Judy(他老婆)找到大搖座了...
不過上面的“ Nokie”名牌還沒找到", 我說太好了, 收到後試彈, 音色非常的熱, 好像沒有單線圈的雜音﹐和Mosrite不太相同, 別有風味, 彈奏比較熱的投機者曲很合適, 我還要多試試。

當時有2種型號, Type I & II. I是Maple的花紋漆Honeybust, II是Basswood漆紅色, 琴頭前者用ebony, 後者用Rosewood. 規格列出如下: 價格很貴, 當時是日幣480,000 (Type I), 360,000
(Type II)


Model Type I: 2000 price 480,000 yen

Neck: Maple / Ebony, 22 frets, bolt on, no binding
Horse Shoe inlay mark on 12th fret
Machine head: Gotoh 3 x 3 (Schaller type)
Body: AAA Maple top, binding, Ash back
Bridge: Vibramute / Roller bridge
Pickup: New Nokie Special (Stinger)
Control: 1 volume, 1 tone, 2SW
Color: Honey burst top, Cherry red back

Model Type II: 2000 price 360,000 yen

Neck: Maple / Rosewood, 22 frets, bolt on, over binding
Horse Shoe inlay mark on 12th fret
Machine head: Gotoh 3 x 3 (Schaller type)
Body: Basswood, binding
Bridge: Vibramute / Roller bridge
Pickup: New Nokie Special (Stinger)
Control: 1 volume, 1 tone, 2SW
Color: Sparkle candy red


"Walk Dont Run: Story of The Ventures" by Del Halterman - 2009 - Biography & Autobiography - 350 頁中有提到 Nokie Fillmore 2000 吉他.

.....The Mosrite depicted on his latest CD was suddenly appropriate as he now played a red Nokie Anniversary Model made by the Fillmore Company in Japan, ...

寫出來和大家分享.

NokieFillmore20001.jpg picture by timelineguitars

Nokie new Pickups (Stinger), S/N: N 000
NokieFillmore20001a.jpg picture by timelineguitars

馬蹄鐵,朝上是好運
NokieFillmore20002-1.jpg picture by timelineguitars

NokieFillmore20003.jpg picture by timelineguitars

NokieFillmore20008.jpg picture by timelineguitars

NokieFillmore20004.jpg picture by timelineguitars

NokieFillmore20009b.jpg picture by timelineguitars

上面的“ Nokie”名牌還沒找到
NokieFillmore20009.jpg picture by timelineguitars

NokieFillmore20005.jpg picture by timelineguitars

"Crafted by Mosrite, Made in Japan"
NokieFillmore20007.jpg picture by timelineguitars

NokieFillmore20006.jpg picture by timelineguitars

兩年前Nokie照相時用手把搖座蓋住﹐自己都不好意思
NEFillmore20000-1.jpg picture by timelineguitars

兩把上面的馬蹄鐵標誌做錯朝下, 難怪運氣不好方案流產
B-129.jpg picture by timelineguitars
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1996 Ventures Tribute Jazzmaster

[1996 年Fender為投機者推出一個紀念系列有Jazzmaster, Stratocaster 和 Jazz Bass, 是用黑色的塗裝設計用投機者團員的建議. Don 負責 Jazzmaster 的設計, Bob 負責Jazz Bass 的設計, Gerry 負責 Stratocaster 的設計. 這三把吉他主要是在日本發行﹐美國分銷的很少﹐每種不到400把﹐收藏性高]

Fender 1996 投機者簽名琴: Ventures Tribute guitars

我過去收集的Fender 1996年投機者Ventures紀念琴, 三把 ( Jazzmaster + Stratocaster + Jazz bass) 前年賣掉了.

FenderVentures.jpg picture by onemanventures

今年初又去買了同型的Jazzmaster, 這把吉他上有目前投機者五個團員的簽名, Don Wilson, Bob Bogle, Nokie Edwards, Gerry McGee和Leon Taylor ( Leon 是過世的鼓手Mel Taylor的兒子, 可惜這把琴沒有請到Mel簽到名, 此琴出了不久, Mel就過世了).

d8f7_31.jpg picture by onemanventures

Ventures 紀念琴中我最喜愛 Jazzmaster , 不太喜歡Stratocaster 和 Jazz bass, 去年向我買的是位 Ventures 吉他收藏家, 堅持三把一齊賣才要, 我只好忍痛割愛, 現在又買了 Jazzmaster 回來, 又有五位團員簽字, 非常高興. 這把吉他是1996年 Fender 為投機者樂隊特別出的限量版﹐日本生產﹐這把是第 021號。

我是向投機者樂隊創始人兼團長 Don Wilson 的兒子Tim 買的, 他這個年青人很夠意思, 送我一張 Don 和 Bob在去年重新錄和整理的私人CD, 在市面上沒有賣, 只送私人朋友的, 而且他請他老爸 Don在吉他盒子上也簽名, 他還幫我把吉他在他老爸的"Rock N Roll" Hall of Fame的獎牌前照了張相, 洗出後會寄給我.

IMG_6143.jpg picture by onemanventures

為了答謝Tim的好意, 我寄了一些公司的高級刀具給他和他老爸Don, Tim聽了很高興說他以前是搞餐館的, 對廚房的刀具有特別的愛好!

昨天收到琴, 試彈了和過去的那把一樣, 把她放入牆上的陳列盒, Tim 告訴我 Don 昨天出發去日本開始他們50週年日本冬季巡迴音樂會(去年一共40場全爆滿), 我實在佩服Don, 一個75歲的老頭還可以在臺上蹦蹦跳跳, 不停的演奏2個小時(中間休息半小時).

投機者50週年音樂會一定會出DVD的, 大家拭目以待吧!

**************

今天收到一個筒子裡面有照片和 Poster 是 Tim 寄來的.
幾張照片是Don Wilson Seattle 家中歷年金唱片和其他獎包括 Rock n Roll Hall of Fame 獎座陳列. 照片是Don Wilson 兒子 Tim 把賣給我的吉他和Don Wilson 家中歷年金唱片和其他獎座放一起照相寄給我的﹐

Poster 是1997 日本音樂會用此紀念琴表演 Poster 廣告, Don Wilson & Bob Bogle 親筆簽名。 是我送Don Wilson一些公司的產品禮物 Don 回禮的, 外國人也講禮尚往來。

吉他照片﹕

IMG_6081-1.jpg picture by onemanventures

IMG_6090-1.jpg picture by onemanventures

Don Wilson, Gerry McGee 簽名
IMG_6085-1.jpg picture by onemanventures

IMG_6088-1.jpg picture by onemanventures

Bob Bogle 簽名
IMG_6083-1.jpg picture by onemanventures

Nokie Edwards 簽名
IMG_6086-1.jpg picture by onemanventures

Leon Taylor 簽名
IMG_6084-1.jpg picture by onemanventures

Don Wilson 簽名
IMG_6079-1.jpg picture by onemanventures

Don Wilson 親筆簽名
IMG_6080-1.jpg picture by onemanventures

Don Wilson 家中歷年金唱片和其他獎陳列包括 Rock n Roll Hall of Fame 獎座
IMG_6148.jpg picture by vk888

1997 日本音樂會用此紀念琴表演 Poster 廣告, Don Wilson & Bob Bogle 親筆簽名
IMG_6158.jpg picture by vk888

IMG_6157.jpg picture by vk888


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Thursday, October 1, 2009

1972年 Fender Mustang 野馬吉他 (Sold)

有歷史價值的便宜沖浪吉他

60年代沖浪搖滾音樂流行, 青少年紛紛組自己的小樂隊在車房地下室練習, Fender公司在1965年把公司賣給CBS前針對市場需要設計了一把合適年青人口味口袋的吉他, 價位在Duo Sonic 和Telecaster之間, 稱為野馬(Mustang), 相當成功.

愛沖浪吉他的我, 找野馬吉他很久, 一直沒有看到全部原裝的, 不是重新塗裝就是換了拾音器, 今天在eBay上看到一把狀況不錯的原裝琴, 只有Pick guard 換成68年的, 原來72年的Pick guard 一角斷掉, 還留在盒內。 雖然不是我要的1965年版﹐但難得看到如此乾淨便宜的野馬﹐就買下來了。

1965-1972 年規格沒有大變動﹐1972年以後才做較大的改變﹐一般人比較要收集1972以前的野馬。 Mustang有 24"和22 1/2"長短兩種,, 我這把是24"的, 雖然短的收藏性高些, 我還是喜歡比較長的. 比較好彈. 古董野馬藍色最值錢, 白色紅色次之, 不過藍色白色很容易褪色, 我的是1972年才有的漸淡日出色(Sunburst)

1969-1972年Fender改做琴身上有賽車條紋的Mustang Competition琴, 收藏性高但基本上是相同的琴. 1972年 Competition型號停產後又回來做普通型號, 加了一些顏色選擇. 到了1982年後停產, 現在的野馬都是進口琴.

Fender1972Mustang01.jpg picture by timelineguitars

Fender1972Mustang02.jpg picture by timelineguitars

Fender1972Mustang07.jpg picture by timelineguitars

Fender1972Mustang03.jpg picture by timelineguitars

Fender1972Mustang04.jpg picture by timelineguitars

Fender1972Mustang08.jpg picture by timelineguitars

Fender1972Mustang05.jpg picture by timelineguitars

Fender1972Mustang09.jpg picture by timelineguitars

Fender1972Mustang10.jpg picture by timelineguitars

Fender1972Mustang06.jpg picture by timelineguitars

Fender1972Mustang13.jpg picture by timelineguitars

http://fendermustangstory.com/default.htm

First, there was the Musicmaster

In the spring of 1956, Fender released a pair of "student" electrics with 22-1/2" scale and 21-frets. The one pickup version was the Musicmaster ($119.50) and the two pickup version was the Duo-Sonic ($149.50). Both of these guitars were equipped with anodized gold finished metal pickguards, a one piece maple neck and stark white pickup covers. Both models had one volume and one tone control and used the same knurled knobs found on the Telecaster & Precision Bass. The Duo-Sonic had a three position switch on the shorter horn of the body. These models were offered only in Desert Sand (sort of an opaque "Blond" color that was already being applied to lap steels). In mid-'59, the fingerboard was changed to a slab of Rosewood on these models, along with the rest of the Fender line. At that time the standard finish was changed to a tan color (name unknown), the pickup covers were changed to dark brown plastic and the pickguards were changed to a cream colored plastic. By mid-'61 the standard color was changed to Shaded Sunburst (sometimes called "Maroon Burst" or Sienna Burst) and the plastic pickguards became stark white. By mid-'62 the fretboard went from slab to curved Rosewood, and by mid-'63 the standard color changed from Shaded Sunburst to White. White guitars were fitted with Tortoise Shell pickguards with stark white pickup covers. These models were unchanged until mid-'64 when the overall design was upgraded to match the new Mustang. The Duo-Sonic's selector switch was changed to two slider switches also found on the Mustang. The color availability was commonized with the Mustang offering also. These models were then made available with a 24" scale and 22 frets and were reintroduced (at the same time as the Mustang) as the Musicmaster II and Duo-Sonic II respectively. The optional scale lengths (22-1/2" and 24") were shared with the Mustangs.

Check out the Musicmaster and Duo-Sonic Photo Gallery for more info on these guitars.

The 1964 Fender Mustang

The Fender Mustang was introduced in August 1964. This guitar was essentially a Duo-Sonic with a Dynamic Fender Vibrato. It was available in three colors: Red, Blue, and White. Although similar to Fender's custom colors of the time: Dakota Red, Daphne Blue, and Olympic White, these namings were apparently never used on the Mustang. They were just plain Red, Blue, and White. The Red and Blue ones came with white pearl pickguards (white pearl-black-white), black pickup covers with no pole piece holes, and black slider switches. The White ones came with red tortoise-pearl pickguards (red pearl-black-white) and white (creamish) pickup covers and white slider switches. The white slider switches were made of different material than the pickup covers and tended to stay whiter and not age to a greenish gray color like the pickup covers.

The specifications for Fender Mustangs change relatively little over the years. Here are the basic specs of the Mustang in 1964:

  • Poplar or Mahogany slab body (Note: as of March 2000, I no longer believe Mustangs were ever made with Alder body wood.)
  • "Patriotic Colors" Red, White, and Blue
  • Maple neck with rosewood fingerboard
  • Two single coil pickups with black base plate
  • Small headstock with Transition Fender Logo
  • One string guide
  • Kluson tuners with plastic oval knobs
  • White dot finger board markers (sometimes Faux pearl dot inlays)
  • White pearl neck side markers on the seam of maple and rosewood
  • Brass shielding plate in the pickup, slider switch, and control cavity
  • Two slider switch ON-OFF-PHASE for each of the two pickups
  • 12 screw pickguard
  • 3 screw control plate
  • Dynamic Fender Vibrato
  • White Tremolo Bar Tip
  • L-series neck plate
  • One volume one tone with black plastic knobs with white marker line
  • Headstock numbers (early '64): DES. 186,826 PAT. 2,960,900 2,741,146 & PAT. PEND.
  • Headstock numbers (late '64): DES. 186,826 PAT. 2,960,900 2,741,146 3,143,028 & PAT. PEND.
  • 24" scale with 22-frets standard (optional 22-1/2" scale with 21-frets). Most '64 Mustangs appear to be shipped with short scale length necks with "A" neck widths (1-1/2").

The 1965-1966 Fender Mustang

A couple of things changed in late 1965 to early 1966. The biggest change was the enlargement of the headstock, in line with the BIG HEADSTOCK found on other Fender guitars of the time. The tuners also changed to "F-keys" with sort of square-ish white plastic pegs. The neck plate changes to "F-series" plates. The pickup's base plate changes to gray color. An additional patent number appears on the Headstock. So, to summarize the changes:

  • Large headstock
  • F-key tuners with white plastic squarish knobs
  • F-series neck plate
  • Single coil pickups with gray base plate
  • Headstock numbers: DES. 186,826 PAT. 2,960,900 2,741,146 3,143,028 2,817,261 & PAT. PEND.

The early '70s Fender Mustang / Competition Mustang

Around 1970, the regular Mustangs were discontinued and replaced by the Competition Mustangs. None of the feature on Mustangs really change until about 1973 and since a '67 Mustang isn't really worth more than a '72 Mustang, I don't think anybody really took great interest during this era unlike the more expensive Stratocasters and Telecasters. Besides, Fender stopped dating the neck in this time frame and started using codes that require deciphering, making it doubly difficult to tell the manufacture date (yes, you can still look at the pot dates). Greg Gagliano has deciphered the neck coding of this era, check his article out in the link just below. I know as a fact that there are Red, White, and Blue Mustangs with body contours so my guess would be that the regular Mustangs continued into 1969 and was replaced by the Competition Mustangs sometime during 1969. The Competition Mustangs were made in lefty versions also, although they were probably a special order item.

Here's a 1970 Fender Color Chart. It shows the following colors for the Mustang:

  • 510 Competition Orange
  • 511 Competition Burgandy (I think they really meant Competition Blue)
  • 512 Competition Red

This chart also shows the plain "Red" (color code 515) and plain "Blue" (color code 517) used on the Musicmasters and Duo-Sonic. These colors were used on the pre-'69 Mustangs and were not called "Dakota Red" or "Daphne Blue." Competition Orange is not shown on the 1972 Color Chart so it looks like this color was dropped after one or two years.

70's Fender Neck Code Deciphering

Around 1972, the Competition Mustangs were discontinued. At about the same time, the pearl pickguards were discontinued and the pickguard was changed to a regular white plastic pickguards (white-black-white). 3-tone Sunburst, Natural, Walnut, Black, White, and Blonde were colors available in the post-Competition era. The Fender Logo changes to the black modern logo in 1972. Around 1974, the second string tree was added to the headstock, a bit later than Stratocasters and Telecasters - Competition Mustangs (1970-1972) typically only have one string guides but black pickguard Mustangs (1976 -1982) all have two string guides. I owned a 1974 that had two string guides. Fender probabaly resisted adding the second string guide on the Mustang to save 10 cents on production cost.... The "F-key" tuners now have chrome squarish knobs and are commonized with Stratocasters and Telecasters. The body of this era can be Poplar or Ash. The Ash body is gradually reinstated on non-Blond Stratocaster from around this time. The Ash body appears to have been used on Blonde and Natural colored Mustangs only. The side marker dot changes around this time to black dots on the maple part of the neck.

  • Competition Colors discontinued
  • Poplar or Ash body
  • Modern black Fender Logo
  • White-black-white plastic pickguards
  • Second sting guide on headstock
  • F-key tuners with chrome squarish knobs
  • Black plastic side marker dots
How do the switches on the Mustang work?
Author: Webmaster

The mustang switches are simple on/off switches which control the direction of current flow through the pickup it is positioned above.

switch in middle (off) position:
-0-

switch in back (towards bridge) position:
0--

switch in forward (towards neck) position:
--0

both pickupsoff:
-0- -0-

both pickups on:
0-- 0-- or --0 --0

both pickups on, out of phase with eachother:
0-- --0 or --0 0--

All the combinations:

-0- -0- both pickups off
-0- 0-- neck pickup on (back)
-0- --0 neck pickup on (forward)
0-- -0- bridge pickup on (back)
0-- 0-- both pickups on, inphase
0-- --0 both pickups on, out of phase
--0 -0- bridge pickup on (forward)
--0 0-- both pickups on, out of phase
--0 --0 both pickups on, in phase

.

Tuesday, September 29, 2009

Fender Custom Shop Time Machine Relic Stratocaster

Sold

This awesome reproduction was created by the Custom Shop, Features of the '56 Relic Strat include an alder body depending on finish, and the original 10/56 shaped maple neck. Its Relic finish treatment gives it the look of a well-played axe. Includes a Fender deluxe hardshell case.

Fender Custom Shop '56 Stratocaster Relic Electric Guitar Features:
• Alder body
• Original specification pickups
• 5-way switch control (Fender factory installed)
• Chrome hardware
• '56 neck profile
• Single-ply white pickguard

http://www.kellyindustries.com/guitars/fender_stratocaster_56_relic.html

The '56 Fender Relic Strat is one of the Fender TimeMachine guitars. If you don't have an extra 10 or 20 thousand to spend on the real one then this is the next best thing to it. It uses a process to age the guitar until it looks 'used and abused'. On this '56 Relic you'll find deeper scratches, nicks, and worn parts and plastic. The TimeMachine series was introduced in 1999 and consists of mainly the Relic, NOS (New Old Stock), and the Closet Classic guitars. They found that the instruments made years ago had a certain magic that was difficult to define. Over the years the Strat body and neck shape slowly changed. Fender recreated the body and neck to the same specs that they where in '56. The '56 Strat was one of the more hard to replicate because the materials used during that time kept changing. But for the most this is a very close version of what was sold back then. The word 'Relic' is actually a process that ages the guitar to make it appear to be older than it actually is. The plastic parts are brittle though :)

For the most worn look the 'Relic' version is what you want, the next less amount of aging occurs on the 'Closet Classic' guitars. These guitars have some parts that show wear and a lightly oxidized finish with aged plastic parts; similar to if the guitar had been played but was kept in the closet for a number of years. For a non-aged or non-relic'd Fender get the NOS (New Old Stock) version. This version doesn't have any aging used on any parts and is like you would have purchased it new in 1956.

The body is made of two pieces of Alder or Ash glued and tooled. The type of wood used on the guitar depends upon the finish. It was created using the original tooling lathes and production techniques of the day. It comes in the original 'Thin-skin' finish in 2-color sunburst, black, vintage blonde, and fiesta red. The actual finish is nitrocellulose lacquer and not polyurethane. The nitrocellulose ages much differently than polyurethane does. The pickguard is a single ply Parchment type. The bridge is an American Vintage Synchronized tremolo just like what was used on the originals.

The 25.5 inch scale length neck is made from maple and has a neck date of 10/56 :) The necks profile is a 'V' type or what is also called the 'boat neck' shape. The fretboard is also Maple and has 21 vintage style frets which are too high or wide. The radius of the neck is 7.25 inches which makes it more of a chord guitar or bring the strings up a little for more bending room. The nut with is the normal 1.67 inches. The tuners are Fender/Gotoh vintage style.

The pickups are custom 1950s single coil Strat types with the normal Master volume and two tone controls. One of the tone controls is for the Neck pickup and the other is for the Middle. The bridge pickup doesn't have a tone control which has been standard for years. This one has a 3-way pickup selector which was on the originals. (Mine is a 5-way switch Fender factory installed) The wiring actually uses the same type of wire and routing as well. This has been done to keep the guitar as close as possible to

Features

• Alder body (ash for the vintage blonde) with nitrocellulose lacquer finish
• Aged to look like it's been played for years
• Original 50's Single Coil Pickups
• Chrome hardware
• Maple Neck with
• 1956 'boat neck profile
• Single-ply white pickguard
• American Vintage Synchronized Tremolo
• Fender/Gotoh Vintage Style Tuners
• Comes with Vintage Tweed Case (Orange Interior)

Sold:
Fender56CSStrat.jpg picture by onemanventures
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2008 Fender Custom Shop Team Built Jazzmaster

Team built masterpiece

CUSTOM SHOP SPECIFICATION:

BODY SPREAD BASS ALDER 2 PC C/S 22"
CHOOSE COLOR BLACK
SORT FOR LIGHT WEIGHT NO SORT
STANDARD OR CUSTOM NECK CUSTOM NECK
BACK SHAPE 62 JAGUAR
FINGERBOARD RADIUS 9.50" RADIUS
NECK THICKNESS AT 1ST FRET .820"
NECK THICKNESS AT 12TH FRET .900"
NECK BLANK GUITAR BIRDSEYE AA
SIDE DOT MICATAR WHITE 3/32"
FACE DOT IVORY VINT
FRET WIRE DUNLOP 6100 JMB
NUT BONE
NECK FINISH LIGHT TINT
NECK FINISH NITROCELLULOSE LACQUER
FINGERBOARD EBONY
BIND HEAD CAP NO
NECK TEXT (30 CHAR) 62 JAGUAR SHAPE
BIND FINGERBOARD NO
NECK TEXT (30 CHAR) BONE NT-9.5"R-6100 FRET
NECK TEXT (30 CHAR) AA BIRDSEYE TINTED MN
FINISH PACKAGE CLOSET CLASSIC
PLATING CHROME
PICKUP MID POSITION NONE
PICKUP BRIDGE POSRIGHT HAND/LEFT HAND RIGHT HAND
PICKUP NECK POSITION JAZZMASTER NECK
BRIDGE ASSEMBLY ADJUSTABLE JAG/JAZ
TUNER KEY VNT NCKL
STRING SETS FOR GUITAR 010-013-017-226-236-246
CASE BRN TLX GLD JAG
GEN TEXT FOR GUITAR (30 CHAR) 62 JAZZMASTER EBONY BLK
GEN TEXT FOR GUITAR (30 CHAR) 62 JAGUAR SHAPE
GEN TEXT FOR GUITAR (30 CHAR) BONE NT-9.5"R-6100 FRET
GEN TEXT FOR GUITAR (30 CHAR) AA BIRDSEYE TINTED MN
GEN TEXT FOR GUITAR (30 CHAR) EBONY FRETBOARD
LIKE STANDARD NECK ASSEMBLY 62 JAZZMASTER
NECK TEXT (30 CHAR) EBONY FRETBOARDITION JAZZMAS

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